Multimodal videographic contingencies merged into moving and reconfiguring stage plots, patterns, and prisms. Paranoid, CCTV-wary complexity aesthetics amalgamated with 3D ontological and neobiological substrata, dovetailing into the fully realized dystopian hyperreal simulation of Kwon Ji-yong's 'Moment of Truth' via distributed constellations of hyperdigitalized video carnage. SLS animators were present on-site to oversee the configuration of the impressive moving stage with its multiphase reconfiguring LED facades.
Act III: M.O.T.T.E. World Tour (2017)
Inaugural Show: World Cup Stadium, Seoul, South Korea
June 10 2017
In collaboration with Willo Perron & Associates (Stage Design, Concept)